Perfect Day - Chris Whitley Featuring Billy Martin And Chris Wood (3) - Perfect Day (CD, Album)
Label: Valley Entertainment - VE 15119 • Format: CD Album • Country: US • Genre: Rock • Style: Blues Rock
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9 thoughts on “ Perfect Day - Chris Whitley Featuring Billy Martin And Chris Wood (3) - Perfect Day (CD, Album) ”
The same year, , Whitley recorded a CD of cover songs titled Perfect Day. Billy Martin and Chris Wood of Medeski, Martin, and Wood, accompanied Whitley on these sparse tunes. The way Whitley renders Dylan’s “Spanish Harlem Incident”, Willie Dixon’s “Spoonful”, and Robert Johnson’s “Stones In My Passway” the compositions.
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After issuing the spare, entirely solo Live at Martyrs' in early , Chris Whitley returned to the studio with drummer Billy Martin and bassist Chris Wood (of Medeski, Martin & Wood fame) to cut the similarly low-key, all covers album Perfect talarepoolsici.newslagetfdetosudogtprovimnebugal.infoinfo's a mix of blues standards and rock songs with a poetic bent (writers like Dylan, Reed, and Morrison) all given hauntingly minimalistic treatments.6/
Jul 25, · Perfect Day is the sixth album by singer-songwriter and guitarist, Chris Whitley. It is his fifth studio album. It is a full-length release of cover versions of "love songs /5(2).
8 rows · Jul 16, · Chris Whitley Featuring Billy Martin And Chris Wood (3) Chris Whitley /5(30).
Oct 04, · Chris Whitley used it as the title and covered the song for his album, Perfect Day. Antony Hegarty recorded his version on his album Raven, at Reed's request. California punk band.
Jan 04, · After issuing the spare, entirely solo Live at Martyrs’ in early , Chris Whitley returned to the studio with drummer Billy Martin and bassist Chris Wood (of Medeski, Martin & Wood fame) to cut the similarly low-key, all covers album Perfect Day.
Chris Whitley's album, Perfect Day, was released in For this project, he enlisted drummer Billy Martin and bassist Chris Wood to accompany him on this set of cover songs, which consisted of poetic rock songs and blues tunes, some of which are very obscure/5(21).